Friday, January 27, 2017

Farewell Bear Facts Helsinki Writers Guild Award

Farewell Bear Facts Helsinki Writers Guild Award




- Helsinki and Gdansk were swapped in the broadcast order when David Tyler the producer somehow managed to get the amazing Alison Steadman to play Awful Auntie Ruth. The show was still young, and we were keen for people to notice it, and maybe even to review it. Papers dont review radio shows much, but when they do they tend to review the first episode of the series - so we thought wed better put the episode with Alison Steadman (plus of course Simon Greenall and Matt Green) up front. (This was all still pre-Sherlock, of course. Somehow, we didnt tend to worry as much about people noticing the show from series three…)

- Awful Auntie Ruths surname is Gregson, which is a reference to Bertie Woosters terrifying Aunt Agatha Gregson the one who chews broken bottles, and wears barbed wire next to the skin. His good and deserving, - but also strong-willed and sharp-tongued - Aunt Dahlia, meanwhile, lives at Brinkley Chase… which is where Carolyn will later invite Herc for a dog walk in Ottery. Theres a lot of Aunt Dahlia in Carolyn.

- This is the episode where I discovered the power of an upset Arthur. Whilst planning, one of my main preoccupations is to work out what everyone wants over the episode, and in each scene. Ive said elsewhere, I think, that I found that the show worked best when Martins want (Desire isnt quite the right word, and nor necessarily is objective or need, so to myself I tend to use the ungrammatical Want) is abstract, emotional, and if possible contradictory… and Douglas is simple, practical, and if possible directly related to his own comfort or gain. Carolyn often ends up with the cast grown-ups Want of keeping the show on the road, and the company in the black; though some of her most fun episodes are the ones where thats not the case (Joburg, Ottery, Uskerty.) Arthurs are usually the simplest, because hes not exactly a driven man, and tend to be things like Arthur wants to help or Arthur wants to enjoy the trip. But when, once in a while, theres something he really does want, like a present for his Dad in St Petersburg, or a cake for his Mum in Helsinki (Huh… hadnt quite realised how thematically linked those two were…) the novelty of it makes, I think, for quite strong and emotionally charged plots.

Also, if you insult any of the crew, Arthur will defend them. But if you insult his Mum, he will throw seventy-five Euros of mainly chocolate thing at you.

Deleted line:

When Arthur is hiding in the cafe, practising what to say when he leaps out with the cake…



ARTHUR:          (MUFFLED) Ta-da! Ive made you a cake, but it works better with your eyes shut. Ta-da! Ive made you a cake, but Im really sorry. Or maybe not make a speech… 





In other news, Im delighted to say that John Finnemores Souvenir Programme has been nominated for a Writers Guild Award. Interesting, one of the other nominees is Marcus Brigstockes excellent show The Brig Society, produced by one D. Tyler. This could get bloody…














Available link for download